#LIVEPROFESSOR PURCHASE PLUS#
Plus you can record into Reaper if you want, which I do.Įxample: Sequetron midi sequencer by Phil Tipping (which is best midi sequencer on earth, without a doubt, if you know a better one, you have to prove it, write here _ as midi looper and experimentation field, slaved to Reaper via midi clock, it could be any hardware sequencer as well, its midi output going into Reaper, playing sounds+fx, recording all tracks output (not input) during performance/experimentation/fun, later you can select better parts, using Reapers excellent ripple editing for all tracks, basically just deleting areas which you did not like without long discussions. Stability wise I tested reaper in broadcast live situations and so far it holds its ground. So I would like to have a clean interface specifically designed for routing und adding plugins into it. Like Live Professor, Waves Plugin Server.īut Reaper can do more for me espacially with 3d Audio in mind.
#LIVEPROFESSOR PURCHASE WINDOWS#
(Make sure your Windows services are stripped down to the bare minimum, if you use Windows)Īctually I would like to view Reaper as a pure Plugin Host where I can send stuff into, process it and get it out. Short answer: yes, use it for your purpose, you'll never find a better and more reliable solution. Multitrack-recording records the raw signal pre-FX, so the FX can be changed afterwards entirely when mastering. The (actually with cable measured) 5.6 ms roundtrip latency (ASIO-Buffer size = 64 samples) was not yet noticed by the musicians, otherwise they complain, especially percussionists get confused from noticeable delay in the monitor path. I run microphone correction plugins in every channel, and speaker-correction plugins in every monitor and main output.
With good VST channel strips you can achieve better and more flexible sound processing capabilities than with any hardware based digital mixer. Hardware is moderate, just a silent notebook, fan always off) (At home I run Reaper more than 2 weeks uninterrupted just as low-latency host for the room correction plugin for all computer audio playback. That usecase is perfect for reaper, because it's stability guarantees uninterrupted performance for 12 hours and more, using it as FOH mixer, and stage monitor mixer and multitrack-recorder at the same time. Actually I would like to view Reaper as a pure Plugin Host where I can send stuff into, process it and get it out.
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